ipohaus · the studio · alabang

One room. A few hours a day.

ipohaus is a home studio in Alabang, run around the rest of the day. The work is slow on purpose, and nothing leaves without a serial and a look by hand.

01The room

Three metres by two. That’s the whole studio.

There’s no factory floor and no second shift. One person, one bench, a few hours carved out of the day. The size is the constraint, and it’s also the reason the work holds up.

Small means every piece gets looked at before it goes out. An order of forty is forty separate checks, not a run. It also means we can take the odd, specific request a factory would wave off, and pass on work that wouldn’t come out right.

The ipohaus studio, a small home workshop in Alabang
02The work

Mostly engraving. Some cutting.

A laser does the marking: it burns a name into acacia, cuts a shape from card, etches initials into steel or leather. Same bench, different material each time.

It leaves a faint dark edge where it cuts. We usually keep that. It’s proof of how the thing was made, and it sits well against warm wood. When a clean line matters more, we sand it back.

  • WorkEngrave, cut
  • MaterialsWood, leather, steel, card, acrylic
  • MadeOne at a time
  • WhereAlabang
03How a piece is made
01MaterialIt starts with the material. Acacia, veg-tan leather, steel, card. Warm, mostly local, chosen because it ages well.
02ProofYour name, date, or artwork gets set for the laser, and you see a proof before anything is cut.
03MakeEngraved or cut a few hours a day, one piece at a time. Never a print run.
04SerialFinished by hand, logged, and given a number. It ships with a short note on how it was made.
Corporate gifts →